DirectVoices

directvoicesYou wanna talk the global nature of the voice over business?

I found the ultimate example (and it’s not Bodalgo).

Meet DirectVoices.com…a site that has yet to reach full functionality.

So, why would I say it’s a global site?  Because even in development, the team producing the site works from France, Ecduador, the Phillipines, and North America (maybe other countries).

What is DirectVoices?  A new way to connect voice talent to voice seekers, but its founder and visionary — Constantino de Miguel –  NOT on the P2P model, rather, voice talents will have DIRECT contact with voice seekers, that’s why the name DirectVoices.

To me, Constantino is a kindred spirit.  He is a tri-lingual news broadcaster operating out of Lyon, France, providing stories to Latin America, China, and the U.S.  He is a coach, and a producer, and of late has discovered the side-career of voice acting (sound familiar?), and in his peripatetic creativeness… launched into DirectVoices.com some months ago.  It’s an ambitious undertaking.

You can go to the site right now and sign-up for the eventual true launch.  There’s already quite a bit of good information on the site, and merely from a web-production standpoint, the DirectVoices seems quite professional.

I sat down for a one-on-one with Constan just the other day on Skype, and I must say his unassuming and confident style makes me even more of a believer in his vision.

I asked him a lot about DirectVoices, yes, but in this interview you will also find out much about the changing nature of the international VO market, and Constan also discusses the challenges of remote recording in European countries with a mobile set-up.  It’s really a very engaging interview.

Thanks, Constantino!

Here’s the interview:

DirectVoices from Dave Courvoisier on Vimeo.

CourVO

VoiceJockied?

voicejockeysThe last time I heard about VoiceJockeys (an online site matching voice seekers with voice talent) was in early 2010.

Back then, site made a splash in the world of voice-acting, and it wasn’t necessarily a good one.

If you’d like to refresh, here is a list of the blogs I wrote on the subject…one-after-another:

Must Read Article on Compensation

VoiceJockeys Response

VoiceJockeys Debate, Part 3

New “Fair Treatment” Blog

At the time, everyone’s favorite Voice Actor/Attorney — Robert Sciglimpaglia — was negotiating with VoiceJockeys to achieve a more realistic compensation arrangement.  I’m not exactly sure where those talks ended up, but Robert seemed to indicate to me later that he felt he’d made some progress.

Since that time, nothing much has come across my radar with VoiceJockeys.  My radar screen is not as good as NORAD’s… but it casts a fairly wide net.

But then, last week, I heard from a VP/Production Manager at an East-Coast firm that specializes in marketing, R & D, Public Relations, Radio & TV, programming, videos, telemarketing, commercials, interactive websites, Online infomercials, and more.  Much more.  Legit folks.  I won’t name names, but I have their permission to excerpt some of their comments here in this blog.

‘Seems this Production Manager did a little research on VoiceJockeys after utilizing their services.  He found links to my above blogs, and was…well…er…candid with me…about  his experience with VoiceJockeys.  Actually he was “outraged and disappointed”.

Maybe his case will serve as an eye-opener for those of us in the business of voice-overs, and put us all on alert a little.  I have not sought reaction from VoiceJockeys, but will be happy to offer a rebuttal if they reach out to me.

The producer’s comments:  “…Not only have they raised their rates, now they charge by the word instead of by the second.  I gave them a script that was timed for 30 sec, they said it had too many words and that they would have to charge me for a 1 min spot. So I took out enough words to fit into their standard.  Guess what?  the audio they cut came back at 22 sec.  When I told them this they had the guy read it slower – it came out to 24 sec.  

After that, they said he tried but it would read too slow so they would have to charge me for a 1 min.  So I told them I was very disappointed in this, my time has been wasted on a trivial matter (to me anyway), they lost a customer because of it, and either give me my audio cut at the original script or refund my money.

Then they finally said they would make a “one time” exception where I can have my original script cut at the 30 sec. price. – so when he finally cut my original script, guess what, it came out to 30 sec.

VoiceJockey.com is by far the worst company I have ever dealt with in my 20 yrs. of production.  This definitely shows the stupidity and, most of all, greed that is rotting this country…”

Is this just a bunch of sour grapes?…a spat between disagreeing sides of a job?…a deal gone bad?.  Or is their experience a true indication of how crummy the market is getting?

Anybody else had a similar experience?…not necessarily with VoiceJockeys, but other online voice clearinghouses engaging in similar alleged actions?

I welcome any and all comments and reaction to this real-world lament.  Perhaps VoiceJockeys will notice and offer me a response.  I will be happy to post it.

In the meantime, I felt it was worthwhile to share with my readers, and I hope you have been spared a similar experience.

CourVO

Kingdom Voices

kingdomvoicesThree things I try to avoid online:
1) politics
2) Mac vs. PC
3) religion.

But today, I’m putting that aside this once to give a big attaboy to my friend Dan Hurst for taking the initiative to launch a new talent service website with the not-too-veiled reference to the needs of the church: KingdomVoices.com.

These days, you’d think it is almost out of fashion to say you’re a Christian, and that you want to do work for the body of Christ that has an undertermined promise of significant monetary gain for your VO business. (or any religion for that matter)

And Dan’s no slouch or stranger to the VO biz.  If you knew him, you’d know that he’s a veteran actor who voices in English and Spanish…has many overseas clients…is a whiz at marketing himself on social media, and offers help to anyone who asks.  So why this?  In the VoiceOverXtra article, Dan says:  “I have a number of church and faith-based organization clients,” he explains, “and several of them mentioned how difficult it was to find voice talent that shared their missional heart.”

Normally, I try not to duplicate here on this blog the headline stories you see on VoiceOverXtra…but I’m making the exception this time ensure those of you who want to participate in Kingdom Voices actually HEAR about it and get on over to sign-up.

Probably best to go to the VoiceOverXtra site to read about KingdomVoices.com...as John Florian totally scooped me on this story, and he’s got all the facts from Hurst.

Nice going Dan…I’ve already got my profile filled-out!

CourVO

Proud Voices

proudvoices-logoRemember VOAT?  Well, somebody else did too…in a way I had not expected.

My September promotion (Voice Over Awareness Today) offers a new VO question each week, seeks answers from the VO community, and some respondents win prizes on a random basis.  Hundreds participated, and I do believe a lot of valuable information was shared.

Now, here it is January, and I get a nice email from Garrett Driscoll.  I hadn’t met Garrett before, but thepic1 question was whether his enterprise — Proud Voices – might be a sponsor of VOAT2013.

One email led to another, and the next thing you know you’re reading a blog about Proud Voices (and yes, you’ll see them as a sponsor this year).

Learning about PV, reminded me of the thing I love about the business of voice acting: it’s enterprising and entrepreneurial spirit.  Driscoll seized on a workable idea, and has turned it into a great business model, website, service, and vision.  Beyond that, he’s creating work for quite a few voice-actors.

I asked Garrett if he would mind responding to a few questions I put to him, and he replied with the explanations you see below.

Thanks Garrett, and best of luck to you!  Be sure to see his offer at the bottom of the questions…(and Garrett, don’t forget me when you think about expanding your roster!)

CourVO

___________

DAVE: What was the genesis of ProudVoices?  What was the perceived need in the marketplace?

GARRETT: Hi Dave, Thanks for giving me the opportunity to do this interview on your blog. Well, I’ve been involved in music since I was 10 years old and I graduated from Berklee School of Music with a degree in Production in 2003. After that I fell into a job opportunity that took me very far away from audio production and I always hoped to go back to it. Because I love music and recording.  After school I stared working online. I’ve owned several different types of internet businesses stretching back from 2006 and thought putting the 2 together would be a perfect fit for how I wanted to move forward. I wanted to use what I had picked up running online businesses as far as advertising, acquiring customers online, developing new products, and try to put them all together.  One of my teachers at Berklee made a great living recording audiobooks and I thought it might be a good niche where I could own a stable business and get back into audio production. I was also working on a music project at the time and had the idea to use a voiceover for an intro part in a song. I searched the web and was really surprised by the amount of great talent that I came across. So, I started writing up plans to launch the site.

DAVE: How long have you been working to get PV to launch?

GARRETT: Actually, getting the site up and running was a fairly quick process. I’ve run similar businesses in the past, so I just built on what I had learned over the past 6 years.  But, getting the site to the point where it has become profitable has taken much longer. Advertising online has become increasingly more expensive over the last few years. You really have to get creative to find new customer sources at a price which makes sense. It’s an ongoing process, but the longer you can work with it, the more you can optimize it and make it profitable.

DAVE: Why is IVR your “bread ‘n’ butter”?

GARRETT:  I really like IVR jobs because they aren’t subjective to the customer. For  “character type” voice overs, the customer usually has an idea in their head about the tone and inflections that they want in the piece. It can require multiple re-takes and customer service to get it right. But with IVR jobs, business owners just need a clear, professional sounding voice that follows their script. These are much easier to deliver and business owners definitely have the money to pay for them. They are usually very easy to work with.

DAVE:  How did you settle on a roster of 10 male and 10 female artists?

GARRETT:  Actually we have about 5 male and 5 female voices now. When we started out, we had about 30 voices.  It didn’t take long to realize that some artists could produce a much better quality product than others. I like the customers to be happy and really want to give them the best voiceover possible. It just made sense to stick with the talent who could make a great product, really wanted to work, and was dependable. Working with a large talent pool made it much more difficult to maintain quality and keep tabs on everybody.

DAVE:  Tell us how your process works – from the client’s call with a need for a voice, to the delivery of the voice for their project.

GARRETT:  Customers can either call us or fill out our online quote form. We then send an email with talent recommendations, sometimes a quick sample, and an online order form. We try to do this within a few minutes if possible. Once they place the order, we get started and within 24-48 hours deliver the files.

DAVE:  How do you market your services to prospects?

GARRETT:  We market our services mainly with online advertising, which I have a strong background in. Making a profit with advertising is simply about getting the customer to your site at the right price. We currently advertise on 10 different ad platforms (including Adwords, Bing, Yahoo, etc). It has taken about 6 months of hard work to find ad placements which are profitable for us. I think that the longer this business runs, the more we can optimize the ads, find new customer sources, and increase volume.

DAVE:   You mentioned the next step is a video production service.  Why that direction?

GARRETT:  I feel like video production may be a larger market than voiceover production. If we want to do more revenue, we have to expand into new areas and develop new products to sell.  When we began, customers started requesting video production right off the bat. Video production seemed to make sense, because we have the voice talent setup, so adding a video production service to compliment it would open up a whole new market for us.

DAVE:    What other components do you want to add to ProudVoices?

GARRETT:  We’re also considering adding products like web design, graphic design, and advertising services. It makes sense because we’re dealing with businesses who may or may not be happy with their online presence. So, if they come to us for a voiceover, maybe we can also offer them a website, logo design, or video, etc.

DAVE:   How many people work at ProudVoices?

 GARRETT:  Not including the voice talent, there are 3 of us right now. We would like to keep it as a small close group, so we can grow it without getting overburdened with high costs and overhead.

DAVE: People may want to approach you about being a voice talent for ProudVoices after seeing this interview.  Would you welcome future prospective voices?

GARRETT:  If you would like to send us a demo, feel free to submit one to demos@proudvoices.com

 

Seeking VO Talent

millsjamesA LinkedIn posting tipped me off to the following announcement from Mill-James Creative Media:

Mills James is proud to announce the creation of a database which will allow our producers to search and audition voice over talent at their desktop. We would like to invite you to register through the attached link and upload a demo of your work. Our goals for creating the data base are to consolidate all of our talent files in one location and make it easier to identify talent for up coming projects. As production timelines compress, the speed in which we need to respond to clients increases. We intend to create a fast and easy experience for producers to navigate through the talent pools. It is important that you attach a demo file to this registration. The system will not allow registration without a sample of your work.

We look forward to receiving your information and working with you in the near future.

HERE IS THE LINK

http://millsjames.com/home/voiceover-talent-registration
Voiceover Talent Registration | Mills James millsjames.com

Yes, I certainly asked to be in their database.  The online form is neither daunting nor confusing.
No, I am not particularly familiar with Mills-James, but their website states the following:  Mills James is among the nation’s most comprehensive creative media companies. Headquartered in Columbus (OH), we’re the largest independent production company in Ohio and surrounding states. We’re an EMPLOYEE OWNED and CLIENT FOCUSED service business with a diverse team of more than 150 people of enormous talent and creativity.”
This strikes me as one of those “can’t lose” propositions, and one of the reasons why I enroll in many diverse online sites seeking voice talent resumés.  It comes under the “nothing ventured, nothing gained” category, and costs nothing.  I also applaud a production company that is honest and organized about gleaning voice talent from the available pool.

I also understand by posting this, I’m increasing the odds against me…but if it’s on LinkedIn, nothing much I do here is going to ripple the waters much more, and besides, that’s what this blog has been about since day 1…passing along useful information to my voice acting peers.

CourVO

VoiceRegistry’s Russo: Big Things Coming!

VoiceBank, and it’s twin sister: VoiceRegistry are a 1-2 punch-of-a-resource for voice actors.  No other site offers what they do, and it’d be easy to forget they’re there.  Of late, they’ve upped their profile as the sponsor of many a voiceover event, notably their support of FaffCon.

Agents, Producers, Booking agents, directors, and anyone seeking professional talent has used VoiceBank for years to peruse available voices to fill their needs.  To be listed there, an agent has to post your demo.

VoiceRegistry is the St. Paul to VoiceBank’s Minneapolis.  VoiceRegistry more caters to the needs of the voice talent.  The site is free, but for just $7 (soon to be $10—but still a steal), you can sign up for VR’s “Weekend Workout”. In the workout, a notice is sent to you to audition with some sample copy each week.  You record, and upload your audition to the site…and within the weekend, a top agent or director will return comments to every single person who auditioned.  Imagine!  Feedback on our work!

Here’s the real cool thing about the Weekend Workout, though: these top directors, and producers who screen the auditions are always LOOKING for new talent.  Many a respondent to the Weekend workout has landed big jobs through this program.

BTW, let me underscore…VoiceRegistry is NOT a P2P site, nor does it want to be.

There are other features to VoiceRegistry…and some as yet unnannounced…until….until now!

See my Video Skype interview with VoiceRegistry’s Ashsley Russo below, in which she explains the Weekend Workout, AND VR’s big plans for the new year.  The interview is 15 minutes long, but be sure to watch through to the end for the big announcements about new services they’re providing in 2013.
.

AshleyRusso from Dave Courvoisier on Vimeo.

Thanks, Ashley!

CourVO

Scene & Herd

Terry Daniel & CourVO at VOICE 2010

When the 5th annual NYC VO mixer happens this weekend, I know I’m gonna wish I had spent the money to go…but honestly, it’s the time, not the money that I can’t afford.

I told my  VO friend Terry Daniel to take lots of pictures, and speak kindly of me if and when my name arises.  I’ll be there in spirit.  A cliché thought, but oh-so-true!  (this is the scene part)

In the meantime, I just wanted to mention a couple of things I saw in the ether recently…maybe you did too:

1)  VoiceBunny is not going to go away, and I applaud founder and innovator Alex Torrengra for continuing to develop this product…I just don’t want to participate.  (this is the herd part)    Now VoiceBunny is launching SEARCH ‘N’ BOOK.  From the TechCrunch article by Anthony Ha: “…The Search ‘n Book system also allows VoiceBunny to enlist better-known talent at a higher price, such as Jon Saint John, the voice of video game icon Duke Nukem. And you can use the Speedy and Search ‘n Book systems together, by using the search program to narrow down the field to the candidates you prefer, then use Speedy to automate the final selection and get a rapid turnaround on the finished product…”

—-and—-

“…CEO Alex Torrenegra told me that a search engine was the most-demanded feature among VoiceBunny customers. One of his main goals is to make voiceovers cheaper and easier,…”

Can a bunny change its spots?  I don’t think so.

Also, this email from VB late Monday:  “...Just hoppin’ by to let you know that tomorrow, we will make a change to your talent dashboard. You will no longer see the green button that says “Show projects below your rate preferences” or find this option in your preferences. Now, you will see (and be notified of) projects that pay at or above your rates. Please ensure you’ve set your rates accurately as you are expected to honor them when a client books you via our new search feature…”

2)  Ever heard of this site?  The Lau Lapides Company.  It appears to be a voice over training and coaching site…but any narrative that explains their overall service or their CV seems absent.  It does claim to do training in Theatre, Film, Television, Demos, and Audition TAPES (?), accent reduction, singing and more…all through location, telephone or Skype.  Now that I see my WoVO friend Mike McGonegal has given them a testimonial, I guess I’ll be calling her to see what they’re all about.

I DO see that the namesake, Lau Lapides, has the following acronyms after her name: AEA/SAG-AFTRA/AWM/NAST/MBA/TCG/TI/MPC.  Wow!

…and my good voice actor friend Deb Irwin says absolutely wonderful things about her work and her helpful personality.  Add this one to the list of “must-study-with”.

3) Finally, SAG-AFTRA is coming down decisively against BeeAudio…an audiobook production house based in Ashland, Oregon.  I’m not ashamed to say I’ve done some work for Bee as I worked to climb my way into the ranks of the experienced…but now that I’m union, and they continue to pay easily HALF of what’s acceptable, I’ll be moving on.  See SAG-AFTRA’s announcement below.

CourVO
____________________

Do Not Work Notice: Bee Audio in Ashland, Ore.

 Attention All Members – please read the following important notice regarding Bee Audio in Ashland, Ore.

SAG-AFTRA has been actively engaged in organizing in the area of audiobooks for the last several years. In fact, the union has organized 18 audiobook producers and publishers since 2008, including Audible.com and many of its subcontractors.

Bee Audio, based in Ashland, Ore., is producing books for various major publishers but is paying half or less than half the industry-standard rates to narrators per finished hour of recording and has refused to bargain, stating in a written communication to its narrators that to do so would “involve pay increases across the board” and opting instead to maintain its current “efficient business model.”

As such, and with the unanimous support of the SAG-AFTRA Audiobook Steering Committee, the SAG-AFTRA Executive Committee, and professional narrators coast to coast, the National Board of Directors has voted unanimously to issue a “no contract, no work” order against Bee Audio. Therefore, SAG-AFTRA members are hereby informed that no member may accept work as an audiobook narrator for Bee Audio and that violation of such order may result in disciplinary action in accordance with the SAG-AFTRA Constitution.

The Board resolution included a request to Actors’ Equity Association to support SAG-AFTRA in this effort by advising its members not to accept work as audiobook narrators for Bee Audio, in accordance with Article X(1)(f)(1) of the Bylaws of Actors’ Equity Association.

Members with questions may contact the following SAG-AFTRA staff:

Jane Love, Associate Executive Director, Washington – Mid Atlantic Local, jane.love@sagaftra.org / (301) 657-2560

Richard Larkin, Associate Executive Director/Labor Counsel, News & Broadcast, richard.larkin@sagaftra.org / (212) 863-4242

Steve Sidawi, Organizing Director, Western Region, steve.sidawi@sagaftra.org / (323) 634-8118

The Digital Audio Frontier

…and that’s really the best way to think about it…as a frontier.  Full of opportunity, but harsh and unforgiving territory that can punish and leave you empty.

I’m enthusiastic about the start-ups that blaze new paths in the frontier.  Early on, I was a big supporter of CinchCast when it came out(see my blog from Dec 2010)…a way to be heard on Social Media with the use of a special app/website.

Gone.

So to is Ping and Amplify…while not audio programs, they were Social Media tools I had come to rely on.

Still chugging along is ChirBit. It’s not only survived but seems to be thriving.  Very nice interface for uploading sound files, and now has (like every other site) a social media component for following, commenting, connecting, etc.

TweetMic came and went… and came back again.  That’s a free iOS app that lets you broadcast short audio blurbs on Twitter.

See?  A Frontier for sure.

In the mix are a wagon-train of new VO websites:  AllStarVoices, VoiceOverCity,  and VoiceAndStudio are worthy and professional recent sites that showed up on my radar in the last year.

Now, two more to add to the mix.

The first is ReadThrough.com.

Their site lays it out plainly:

  1. Upload your script. We perform it using compputer voices.
  2. Select actors, They perform, then you choose who to use.
  3. Listen and share your script wit exactly whom you want

You get the feeling from this site that it’s for people wanting screenplays read for samples… but then there’s that link saying:  Become a ReadThrough Voice Actor!… and sure enough, there’s a sign-up form to get your voice heard.

The other site that’s been garnering attention is AudioCatch. I have less of a good feeling about this site, only because I’ve seen the comments on FaceBook threads about it, and they have not been complimentary.  I have not tried-out this service, but I mention it here, ’cause different people take advantage of different services in different ways, and for some it may be productive.  The site is slick, and purports to put together voice seekers and voice talent (sound familiar?).  I saw jobs listed in value from $30 to $1500…so have at it!

CourVO

 

 

V123 PPS

Say what you want about so-called Pay-to-Play (P2P) services like Voice123.com and Voices.com, but they (and others like them) are usually at the heart of trends in this business…things like pay-scales, the job marketplace, internet prospects, and more.  In that sense what they do, and the choices they make affect the whole industry, and

You can also say what you want about Steven Lowell, V123′s primary spokesman, but from this author’s perspective, he’s an astute observer of the VO world, and a quick student of its many challenges and changes.  If you are not a frequent reader of Steven’s blog, you are missing some good commentary.

Recently, V123 launched a special membership called the Premium Platinum Subscription.  I’m not here to offer an opinion on the service, but to direct you to an article that may answer a lot of your questions if you havne’t seen it yet.  http://voicethedream.com/2012/08/11/answering-your-questions-about-premium-platinum-subscriptions/

Oh, and just a bonus link for today:  Top 5: Voice Actors in Video Games from NZGamer.

CourVO

Your Presence Needed….

…or is it?

You get to decide…and at some point, you really HAVE to, or you’re wasting your time.

Remember the question I posed a couple of weeks ago:  Can VO Be TOO Social?   The question has also since cropped up on (of course) a  FaceBook Group, with a wide sample of responses.

Are you still getting a rash of emails asking: “…are you taking on new clients?”  That’s the Referral Key Network…a networking site designed to expand your online universe of contacts.

Or how ’bout Branch-Out?…a LinkedIn network challenger built on the Facebook platform?

Now, a new site, seemingly trending popular with Voice actors is another FaceBook-site called “Talent.me“.  Going to the http://Talent.me website, you’ll find the following bullet points:

  • Get popular for your talents.
  • Build your personal brand.
  • Get opportunities.
  • Get Endorsed
  • Get Referrals

They don’t say exactly how, but when you sign up (using your FaceBook credentials), you basically end up on FaceBook using an app.

WORTH IT?

Aside from the trite but true point that your presence with these various online sites ostensibly expands your overall internet profile…nothing about Referral Key or Branch Out or Talent.me will help you much if you don’t work at it.  Just like cold calls won’t bring you clients if you don’t spend some time perfecting your calling skills…or being on Twitter won’t get you noticed unless you learn how to leverage it’s unique networking style.

At the very least, if you join these sites take the following rudimentary steps:

  • Fill out your profile as completely as possible (many sites will prompt you with progress bars, or dialog boxes)
  • Add a picture of yourself (see my blog: The Case For Voice Acting You Can See)
  • At the very least, use your logo if not a pic
  • Add as many SEO-worthy keywords as possible (voice actor, voice over, voice talent, etc)
  • “Follow” or request relationships with those you know
  • Answer requests to link with friends
  • Participate in discussions, and answer intelligently where and when you can
  • Pay it forward with information and links

Come to think of it, those are good reminders for the Big-3 (and other Social Networks): FaceBook, Twitter, LinkedIn (and now Pinterest).

Much like the P2P sites seem to work wonderfully for some voice talents, and not for others…or a postcard mailing campaign, or an emailed newsletter is fruitful for some and not others…these sites, too, will seem to work in the marketing cause of one and not the other…but it’ll NEVER work if you don’t put in the time and effort, and this is where you decide where to best spend your time.

That decision ultimately comes down to what you’re good at, what you enjoy, and where your talents lie.  I’m a lousy cold-caller, but I love Social Media…so I gravitate to the online sites for my marketing and promotions.

Where is YOUR time best spent?

CourVO