Get Legal

Robert Sciglimpaglia’s been regularly knocking down VO milestones since he seriously began acting in 2005.  His most recent coup was as a principal character in a Super Bowl ad (Chevy Happy Grad).

Clearly, being on stage, on cam, and behind the mic is his passion, but Robert has not entirely abandoned his first profession.  He’s also an attorney.

As a member of SaVoa’s Executive Board, Robert offers legal advice for the organization, and is known for his generous counsel on contracts, business-licensing, taxes, unions, and many more potentially-complicated topics for his fellow voice actors.

Now, he’s just finished authoring a legal guide for voice-actors that is both comprehensive and affordable.

See this PR announcement for a background on the book:  Voice Over LEGAL.

VoiceOverXtra‘s John Florian is overseeing the publishing and distribution of the book (not quite yet released), and there, you’ll find more details about the book, and when and how you can acquire a digital (e-book or pdf formats) of Voice Over LEGAL.

Nice going Rob…we’re proud of ya!

CourVO

 

4th Edition: Art of Voice Acting

James Alburger is a productive guy.  Where he’s found the time to rewrite this newest edition of his successful book, I’ll never know.

He co-produced the highly-successful VOICE2010 event in June, and schedules an ongoing stream of demo and coaching workshops.  Yet, here is the newest iteration of his best-selling guide to voice acting.

“The Art of Voice Acting” Fourth Edition is almost in the stands.

September 1st is the release date, but you can pre-order, and even get an autographed copy by visiting HERE.

According to James, the new edition has:

  • All new scripts
  • 85 more pages of new and completely updated information
  • More niche areas of voiceover work are discussed.
  • An entire chapter is devoted to New Media.
  • A completely new chapter of studio stories and “tricks-of-the-trade” from professional voiceover talent around the world
  • Updated information for voiceover demos and marketing
  • A comprehensive index that makes it easy to find what you’re looking for
  • More voice and acting techniques
  • Contributions from some of the top voice talent in the world
  • An all new audio CD with the actual audio for every script in the book and more,
  • PLUS: exercises, demos and more!
  • Better order your copy now.

    CourVO

    VoiceOver Book Review

    Voice Actors Yuri Lowenhall and Tara Platt have released a new book for fledgling (and other) voice actors.  It’s called VOICE-OVER VOICE ACTOR.

    This might be a good resource to recommend if you get calls once in a while from eager VO wannabe’s.

    ‘Looks like the publisher released it in March, but reviews are filtering in just now.

    Read a review written by John Herrera HERE.

    CourVO

    Recommended Reading

    When’s the last time I finished a book?

    Sheesh, what even constitutes a “book” these days?

    I must admit my definition of the term has a legacy, but a fuzzy future.

    There’s white papers, and series, and articles, and blogs, and compilations, and posts, and readers, how-to’s, and websites, and iPads, and Kindles, and….well…you get the idea.

    I figure the iPad will join my bloated collection of eagerly-acquired-but-soon-outdated technology when prices come down, and features go up — just in time for Christmas.

    But I digress…my Kindle is still serving me well, and I may actually finish one of the most readable “books” I’ve ever downloaded:  THE MONEY BOOK FOR FREELANCERS, PART-TIMERS AND THE SELF-EMPLOYED (The Only Personal finance System for People with Not-So-Regular Jobs)  by Joseph D’Agnese and Denise Kiernan.

    In the background, I’m reading: THE WINDMILL APPROACH TO NETWORKING, Understanding, Leveraging & Maximizing LinkedIn (An Unofficial Step-by-Step Guide to Creating & Implementing Your LinkedIn Brand) by Neal Schaffer.

    And in the deep background (meaning, I actually started reading THIS ONE before the above two):  TRUST AGENTS, Using the Web to Build Influence, Improve Reputation, and Earn Trust. by Chris Brogan and Julien Smith.

    I highly recommend ANY of them, and wish you only the best in finishing.

    CourVO

    The Humble Disclaimer

    ….More fallout from my blogs on setting rates.

    A Las Vegas friend who has a burgeoning podcasting business, but whose true genius is in marketing/selling, responded to my blog with a fine suggestion.

    Scott Whitney is a big fan of Tom Freese’s series of books base on the idea of QUESTION-BASED SELLING (QBS).

    You can visit Freese’s website on QBS –  HERE.

    But, getting specifically at the point Whitney is making about “the Humble Disclaimer”…you may want to visit directly to THIS QBS page.

    It’s a quick read, and true to Whitney’s astute observation, it fits right into the discussion of setting rates.

    Thanks, Scott

    CourVO

    Splitting Hairs

    What’s a fair price for earnest work?

    The quibbling over that simple question can cost you money if things aren’t laid out clearly from the outset.  Now I understand why some Voice actors demand a contract, and at least some pay up front.

    Here’s a real-life example (names omitted to protect the innocent):

    .
    APPROACH

    A friend approached me about recording the first chapter of a newly-written book.  The author is a multi-millionaire, rags-to-riches CEO of a hugely successful XYZ firm.  The book is his inspirational personal story of how entrepreneurship lifted him out of life’s early disarray to find wild success.

    My friend is handling some of the online marketing and SEO challenges for this company, and needed the chapter narrated ASAP for a deadline to launch a certain milestone for this company.

    COMPLETION

    Within 24 hours, I had the chapter narration done, editing completed, and file delivered with a smile.  My friend was grateful for the favor, and promised payment whenever I invoiced.

    The uncertain but hoped-for promise in all this was that I may eventually get the nod to narrate the entire book. 

    CONFLICT

    When the author heard my read, he liked it, but HIS public relations people were telling him since it was such a personal story, that maybe HE should narrate it.  That’s still undecided.  We all know there are just a handful of authors who have the wherewithal to artfully narrate their own book.  I don’t know…maybe he’s one of those.

    Regardless, when my friend attempted to pass the cost of my narration on to the author, this is the response we got:

    “I asked for a test version just to hear how he sounds with the book. I wasn’t expecting an invoice for the test or I would have had him reread it with changes until it was a finished to my satisfaction. I am considering him for the full audio, but that phase isn’t ready as of yet. My understanding was this was his bid for the entire project and not something I was paying to test."

    ANALYSIS

    Let me offer a handful of observations:

    It strikes me as somewhat insincere that a guy who’s a self-made millionaire based on principles of entrepreneurship (as stated in this very book)…is unwilling to recognize the efforts of another entrepreneur in setting a fair price for earnest work.

    Granted, there may have been a miscommunication between my friend and the author, and it’s to his credit that my friend is stepping up to offer compensation even though the author is unwilling.

    Finally, disregarding the quibbling about whether the narration was an “audition” for the whole book, or verbally-contracted work…an “audition” or “scratch-track” of this length (18 mins) would certainly demand SOME renumeration.  No?

    LESSON

    Some voice actors have a hard ‘n’ fast rule about signed contracts, and at least some pay up front.  They say it’s just a matter of time before you get burned.  I haven’t been burned yet, and my business doesn’t have the force of, say, a Jennifer Vaughn or a Harlan Hogan.

    How do you, or would you handle this?

    CourVO

    Synthetic Voice: Revolutionary or Repugnant?

    C3POThere’s been a lot of traffic recently on a forum populated by AudioBook readers, bantering about issue of computer-generated voices.

    That topic is traditionally disdained by a group so dedicated to the finer nuances of a good read. These are serious audio-book listeners who celebrate the various human narrators, and the interpretation each one brings to a narrative.

    But something new and improved has surfaced, and it’s making some converts even among this hard-core group of those favoring the real human voice.

    So listen to the samples at LOQUENDO and then I’ll finish up below.  It’s an international site, so you have to scroll down to hear the US/English samples.

    ——————————

    So….whadya think?  I agree, it’s the best computer generated voice I’ve ever heard.

    Much of the give ‘n’ take on this forum moved into the realm of where the artistry is in this sort of software solution…and how would the audiobook publisher business model change.  Beyond that, the discussion also addressed who has rights, and what is the revenue stream.  Can a programmer replace a narrator?  How labor-intensive and artistry-intensive is that?

    This hard-core group of audiobook aficionados, agrees this is the best “fake” voice they’ve heard, but also agree it’s not there…yet.

    Which, of course prompts the question: “When?”.

    Text-to-Speech and voice recognition programs (eg. Dragon Naturally Speaking) have always been reliant on complex formulas or algorithms that incorporate the finer points of artificial intelligence.  They’ve steadily gotten better with each new jump in computer speed and function.

    It’s likely that we’re not far from a computer-generated voice accomplished enough to satisfy a sector of buyers who aren’t as discerning as the audiobook group mentioned above.

    So now, I’ll state the question that has already likely bubbled-up in your own mind:  “Is this likely to hurt yet another sector of jobs/clients now available to us as voice-actors?”

    Your thoughts?

    CourVO

    Visit This Site If You Want Work Reading AudioBooks

    APA

    This may not be a big secret at all to many of you, but it probably bears repeating or mentioning every once in a while.

    The AUDIOBOOK PUBLISHERS ASSOCIATION is the site to visit to get a bead on this industry.  An industry, which by all accounts is rather eclectic, a bit introspective, and certainly provincial and proprietary.  Not in a bad way.  It's just always been sort of a small and close-knit group, now protecting its own in a wave of growth and interest like never before.

    I've been told to really get your foot in the door with these people, you need to "hang out" at their parties, go to their awards ceremonies, visit the forums, comment on their blogs, and….hey!…that's a good formula for getting in good with about any society.

    Regardless, the site is full of good info, and if you want to join, there is a special category for narrators.

    CourVO