Synthetic Voice: Revolutionary or Repugnant?

C3POThere’s been a lot of traffic recently on a forum populated by AudioBook readers, bantering about issue of computer-generated voices.

That topic is traditionally disdained by a group so dedicated to the finer nuances of a good read. These are serious audio-book listeners who celebrate the various human narrators, and the interpretation each one brings to a narrative.

But something new and improved has surfaced, and it’s making some converts even among this hard-core group of those favoring the real human voice.

So listen to the samples at LOQUENDO and then I’ll finish up below.  It’s an international site, so you have to scroll down to hear the US/English samples.

——————————

So….whadya think?  I agree, it’s the best computer generated voice I’ve ever heard.

Much of the give ‘n’ take on this forum moved into the realm of where the artistry is in this sort of software solution…and how would the audiobook publisher business model change.  Beyond that, the discussion also addressed who has rights, and what is the revenue stream.  Can a programmer replace a narrator?  How labor-intensive and artistry-intensive is that?

This hard-core group of audiobook aficionados, agrees this is the best “fake” voice they’ve heard, but also agree it’s not there…yet.

Which, of course prompts the question: “When?”.

Text-to-Speech and voice recognition programs (eg. Dragon Naturally Speaking) have always been reliant on complex formulas or algorithms that incorporate the finer points of artificial intelligence.  They’ve steadily gotten better with each new jump in computer speed and function.

It’s likely that we’re not far from a computer-generated voice accomplished enough to satisfy a sector of buyers who aren’t as discerning as the audiobook group mentioned above.

So now, I’ll state the question that has already likely bubbled-up in your own mind:  “Is this likely to hurt yet another sector of jobs/clients now available to us as voice-actors?”

Your thoughts?

CourVO

Bergen + SAG = the right combo

bobbergenThe ever-helpful, funny, talented and knowledgeable Voice Actor Bob Bergen is getting serious about serious things.

Union representation.

Doing it right.

Saying goodbye to politics-as-its-been-done-heretofore  among gifted, earnest, union-represented artists.

Read below to see his appeal for your vote, and for good common sense.

CourVO


Subject: TO LA SAG MEMBERS

Hi all!

If you are not a SAG member in Hollywood, feel free to disregard.

If you are, please read!!

By now you all should have received your ballots for the SAG election.

PLEASE vote now!!!  And please spread the word to every fellow Hollywood SAG
member you know!

I’m running for the board on the U4S slate, and I’m asking for your vote.  I’m
#58 on the ballot.

I’ve been asked why I’m running.  I’m running because I need to at least give
this a shot.  I never want to be one of those who just complains and never tries
to do something about it.

I’m sick and tired of actor vs. actor, union vs. union.  As long as we allow a
situation where one union competes with the other we are sunk.  We are a
laughing stock.  And our rank and file is fed up!

I don’t blame them!

For several years our board room has consisted of ego and politics, clouding
any possibility of leadership and progress.  The blame game has got to stop!  It
is not them vs. us.  We are one!  The fiasco of this last theatrical contract
has hurt us all.  The current leadership at SAG looks everywhere to point blame
except the one obvious place, which is the mirror.

SAG should never have allowed AFTRA to negotiate separately.  SAG blamed
AFTRA, the studios, producers, etc., for an AFTRA ratified contract that they
found inferior.

And it was!

But good leadership, good business strategies should have been able to clearly
see that allowing a sister union to negotiate separately you risk the chance of
being undercut by an inferior contract.  A good business person does whatever it
takes to prevent this.  That takes leaders who are able to check their ego at
the door and work together for the good of all.

For 30 years we have been able to do this.  We succeeded in doing this with our
recent commercial contract.

This is a business.  As a member of SAG I think of myself as a shareholder in a
corporation called Screen Actors Guild.  And as a shareholder my CEO and  board
members failed me.  Instead of blaming the competition and the state of the
industry, the proper thing to do is analyze what THEY did wrong, not HOW they
were wronged!

Our current leadership makes decisions without playing devil’s advocate, or
having back up plans.  The rank and file was advised to turn down our agent’s
request to own studios and corporations.  We were advised that it is not good
business for our agents to also be our employers.

This I agree with!

Our agents were asking to own a percentage of corporations.  Not 100% ownership.
They wanted a partnership, a percentage.

Again, SAG advised against this.

But they had no back up plan.  So, the rank and file followed SAG’s advice.  The
result?  We have no franchise agreement with our representation.  AFTRA does,
but SAG does not.

Many years later, it’s business as usual with our agents.  They’ve realized that
they can successfully conduct business without a franchise with SAG.

They can also now have a 100% ownership of any studio or corporation if they so
desire.  Not a partial or percentage ownership, but they can own outright if
they wish.

Our current leadership had no back up plan in the event of this.  Just like they
had no back up plan in the event AFTRA negotiated a lesser theatrical deal.

We have been the victim of failed strategy, after failed strategy, after failed
strategy.

Mistakes have been made by BOTH unions!  I want to preserve our pensions, health
benefits, and residuals.  There is no way of doing this with union vs. union.

We must work together.

Bob Bergen

Don LaFontaine Voice-Over Lab

joeJoe Cipriano writes to invite:

SAG Foundation
is holding a Garden Party Fundraiser to benefit the initiation of a voice-over lab addition to the SAG Actors Center in Hollywood in the name of the guy who started it all:  Don LaFontaine.

Click HERE to see the invite and more details.

CourVO

Rehashing Union Questions

‘Might want to mosey on over to Taji’s Voice Emporium today if you’re considering the pros and cons of union membership.

Click HERE to read his article: “State of the Non-Union”.

CourVO

SIGjpg2bigger

SaVoa Listing Demos

savoa The Society of Accredited VoiceOver Artists (SaVoa) is augmenting the listings of its members to include an audio demo.

SaVoa is one of the best efforts I’ve seen yet to bring legitimacy to the community and the business of voiceacting.

To become a member, you are evaluated on the sound you produce from your studio by a panel of peers.  A membership lasts two years. (I’m SaVoa # 07041 – not that the number has any significance, really)…and requires a token fee.

At this point, about the only bragging rights you get when you are granted a membership is the shield-looking logo that you can post on your website, your blog, your signature…wherever you want to draw attention to the fact that you’re a serious professional in the business of voice acting….oh, and you get that number designation.

I’m proud to be a member, and to be associated with other like-minded talent in this industry who are trying to raise the level of quality to a new standard.  It’s not perfect, but it’s a perfect time to make this stand for the benefit of our careers and the future.

Click HERE to go to the new webpage SaVoa has set-up to provide information and get going.(no I haven’t done it yet either!)

CourVO

When To Hire Voice Overs For Marketing and Sales Business Projects

NEVERBLUE Somebody who gets it! 

NEVERBLUE is all about affiliate marketing. 

Don't ask what that is.  I haven't quite figured it out yet. But I know some people swear by it. (someting about getting rich repping other people's products on your site…kinda like franchising online)

Here's their pitch: "Neverblue is a premier global lead generation network that delivers
millions of profitable customers to clients from all over the world.
Experience better affiliate marketing.
"

OK, that clears it up.

But Neverblue has apparently figured out that voice actors actually have value, and in THIS blog, they lay out several scenarios in which a smart person would want to hire a voice actor for professional product.

They make pretty good sense.  'Might even be worth a cold-call?

CourVO

If He Can Throw a Shoe…

Journalist
…he must be a journalist.

And that's about all the qualification you need these days.

Since TwitGroups was launched recently, I've been fascinated to find that the #1 group in terms of total members is the "Journalist" group.  'Far and away the biggest group.

Why would that be?

I mean, sure, there's plenty of journalists in the U.S.  But are there really that many on Twitter? 

Oh, no…wait a minute…you know who's on Twitter?…in spades? 

Bloggers.

Ah, now we're on to something…and in deducing this, we expose the soft underbelly of Journalism.

Certification.

Without setting a professional standard by which journalists can pass muster — like nurses, bricklayers, CPA's, or attorneys — just about ANYONE can CLAIM they're a journalist.

I've been playing at broadcast journalism for 30 years…'never took a journalism class in my life.  Honest.  Does my mere experience make me a journalist?  I'd like to think.

Does blogging every day — even breaking stories regularly, like Drudge — make him a journalist?

'Guess so. 

I'm just sayin'…..

CourVO

How Many British Accents Can You Name?

BBC
You don’t have to.  Apparently, it’s been done for us.

This tip compliments of the HoldOnLog newsletter.  HoldOnLog is an online resource for actors of all stripes…so it’s worth a visit for their take on things.

They also offer what they call “Performer Track Webware“.  It’s a tool for managing your acting business.

The info below is from their “Performer Nation” Newsletter a link to a wonderful free BBC site that breaks down Britain into each dialect geographically, and offers a listen to the differences between each one.

CourVO

[Read more...]

SAG in WSJ

Wall street journal
 The venerable Wall Street Journal posts the following story in it's online edition 9/18/08. I'm re-purposing here with credit to the newspaper:

SAG Votes on Next Act

Union Election to Guide Talks With Studios

With negotiations for a new contract between the Screen Actors Guild
and the Hollywood studios unresolved, a union board election this week
will provide a window on how determined the guild is to continue to
fight for a new contract.

[Read more...]

SaVoa Connect

Ed Gambill is a talkative guy.  ‘Course he is…he’s a voice-actor.  But, I mean, he’s one of those guys you have a hard time getting off the phone with, ’cause he’s got something interesting to say.

What’s been interesting lately is an effort Ed’s putting together on behalf of SaVoa, the Society of Accredited Voice-Over Artists.  Ed is certainly the most conspicuous person fronting SaVoa, although there is a complete board of accomplished Voice-actors behind him, and an impressive ‘n’ growing number of members supporting him.

Ed called me Thursday to ask if I’d participate in a little experiment.  The call had an entirely different effect on me aside from Ed’s motives.

Although I’d purchased Source-Connect Standard many weeks ago, I had never even followed-through on finishing my Certification with the support staff at Source-Elements in Chicago.  Aside from a test session with Bob Souer, I hadn’t even touched the product, or attempted a session through Pro-Tools or the Source Elements Desktop — a free utility from Source-Elements that allows you to send, recieve, record, and playback soundfiles in your Source-Connect sessions.

Ed’s call changed all that.  Ed wanted me to be the starting point in an audio link-up that would end at an ISDN studio in Boston, with an in-between Source-Connect/ISDN Bridge just outside of Atlanta.  ‘Not quite sure why Ed picked me, but I knew it meant I needed to get my butt in gear and get my set-up in operating order.

Most of my attention the next day (Friday) was on getting Source-Connect up and running on my equipment.  I scheduled a certification session with Source-Elements and immediately ran into trouble.  My connection was fine, but my audio quality was "crackly" according to Mac, the sanguine tech-support guy at Source-Elements.  Back and forth we went.  No luck.

I fiddled with mic cords, USB connectors, software set-ups, Pro-tools configurations, and re-booted several times after changing various Windows settings.

First guy I thought to call for help was Bob Souer. But even though Bob had returned from Europe, he was at a funeral in Chicago.  Then I called Liz de Nesnera who confirmed that all my finagling was for naught.  "Sounds crackly," she said.  Ed Gambill said the same thing, but he was wrestling with his own software demons that day, and I didn’t want to bother him further.

We confirmed an appointment for the next morning to do the bridging experiment, though, and again I felt the pressure. 

I tried to tell myself it was a simple matter of elimination.  Trial ‘n’ error.  By 2am Saturday morning I had my culprit: my 2-and-a-half-year-old M-Audio FireWire Solo unit, purchased with Pro-Tools.  For whatever reason, it was failing.  Luckily, I had an M-Audio Tube Pre USB interface, and when I substituted it for the FireWire Solo, all was good.

10:30am PST Saturday…I’m connecting via Source-Connect to Thom Wilkins in Atlanta, who’s on the line with me, and bridging my signal to ISDN and JJ Wright in the Boston area, who recorded, prompted me on takes, and finished-up the production.  Other than a slight latency (not unlike waiting for a TV reporter to respond on a Satellite link-up) it was amazingly seamless and clear as a bell.

I have no idea what technological wizardry it takes to "bridge" a Source-Connect signal to an ISDN line.  But Thom seemed to have it well in hand, and the result was a success. Ed was ecstatic.

I’d post the soundfile for you, but I think you’ll be hearing it soon on a SaVoa announcement near you, along with an explanation of what Ed has up his sleeve to offer SaVoa members. 

I can tell you it’s innovative, quite beneficial for SaVoa members, and will save you money.

CourVO