The Act of Acting

Is there any more overwrought, under-appreciated, and fully elusive profession than acting?

Think “The Actor’s Studio” with James Lipton.  A steady stream of top-name actors and they ALL espouse a different approach to their craft.  How do you teach that?  How do you LEARN that?

All I know is…in the trying…you grow.  You find a way.

That’ll be a goal of mine in 2011…get some acting training.  Lord knows after 30 years of anchoring the news…I’ve got some serious ruts to dig myself out of.

That’s why I appreciate Bob Fraser.  It’s been quite a while since I’ve written about Bob.  I’d give you a link, but you’ll have to Google his name yourself to believe how prolific this guy is.  He’s everywhere…and you may have rec’d some offers to buy some of his materials.  He’s good at marketing himself and his knowledge.

Let me leave you with a link, though, to his new blog:  The Professional Actor…and his first entry:  “6 Guaranteed Ways to Fail in Hollywood”.

Bob’s not the end-all-and-be-all when it comes to acting coaching…but you’ll find plenty of meat on the bones in the stuff he offers.

Sign up for his Newsletter, and you get a free weekly planner…a token…I know…but somewhere down the line, something Bob offers will strike a chord, and you’ll be glad for the referral.

CourVO

Defining Disintermediation

Wait, before we define it…or even say it, let’s dissect it.

Dis=the negative of
inter=between, among
mediation=to affect an agreement

So, no go-betweens, making agreements, basically.

This is not a word I created. But I like it. I came across it in an article by Mark Dundas Wood, whereby he describes a phenomenon happening in the voiceover world today.

I think he’s right.  Unions and agents are being disintermediated by V123, Voices.com, Bodalgo, VOPlanet….yada, yada, yada.  It’s a paradigm shift.

Oddly enough, Wood uses the word almost as an aside in describing the encroaching need for technological savvy to be able to compete in this new world of voiceovers.

But you already knew that, right?

Nonetheless, it’s a pretty good read on the BACKSTAGE website.

HERE’s the link to the article.  You have to scroll about halfway down to the sub-heading “Sound Advice” to get to the part about voice-overs…although the rest of  the article is good reading too.

BTW, the BACKSTAGE.com site has a VoiceOver Advice page that ain’t half-bad, really.  CLICK HERE.

CourVO

VoiceOvers @ the Oscars

Most twittered comment about the female VoiceOver for the Oscars Sunday night:

“She just said ‘pitcher’ again, instead of ‘picture’.”

Second most twittered comment about the female VoiceOver for the Oscars Sunday night:

“Did she really say ‘Barber’ Streisand?” (she did)

That female voiceover for the Oscars, BTW is Gina Tuttle.  I had not heard of her, but thought she did a pretty good job with nice energy.

HERE is a link with more about Gina.

And didja hear about the SNAFU Jeff Bridges got himself into with one of his best voiceover clients?  Hyundai was all set to run a rash of spots on the Oscars, but was turned-down for a conflict-of-interest.  Read HERE and HERE all the details.  Hyundai ran the ads anyway, but used several other celebs as substitutes for Bridges.  Hey, Hyundai…how ’bout trying out some PROFESSIONAL voice-actors???  Hmmm?

Finally, did you notice for the first time in over 20 years presenters were allowed to say: “…and the WINNER is…” instead of that contrived phrase: “…the Oscar goes to…”

I’m so glad they made that change.  If you happened to have missed the Oscars, what’s the first question you ask. Uh-huh….”Who WON”?

CourVO

Hire a Pro VO

 jackinthebox

Doncha just love the irreverent spokesman/mascot for Jack In the Box restaurants? 

No?  Too silly for ya?

Lemme ask you this:  if you had a chance to audition for the voice of “Jack” would you jump at it?

Uh-huh, ‘cause it’s a high-profile, lucrative national Radio/TV campaign.  And it’s not the kind of voice that should be created by “the guy down the hall”. 

‘Sad that so many (esp. local advertisers) decide to grab their secretary or thelowry sales guy to voice their spots ‘cause it saves ‘em a few media dollars.

Why I’ve never actually written my own apologetic for hiring a professional voice actor I couldn’t tell ya.  I’ve chewed on the concept, but seemed lacking in the motivation.

That ended when The Lowry Agency asked me to write just that kind of article for a snazzy culinary blog called: CULINARY SCHMOOZE.

culinary schmooze

Given the probable audience for that blog, I decided to drag out “Jack” as part of my argument.

The resulting article is seen on the Culinary Schmooze website, and is reprinted below.  Let me know what you think.

CourVO

_______________________

Say what you want about Jack In the Box restaurants…you have to admit the company has a professional operation. The food is hot, delivered in an orderly fashion, and comes at a fair price no matter where you happen to find a franchise.

But do you want just “professional” when you’re eating? No. That’s why a chain like Macaroni Grill might be a more quality choice. The ambience is pleasing. Food is prepared with care from a unique menu, and the service is usually charming. Absolutely professional, but with a quality component added.

Still, for a top-of-class experience, something is missing even at Macaroni Grill. That element is refinement. In Las Vegas, for instance, when you visit Ferraro’s new restaurant across from the Hard Rock resort, you’ll see the added attraction of gourmet food from award-winning chefs, a table setting and service second-to-none, even a Sommelier to suggest the perfect wine to go with your choice of entre’.
Professional? Absolutely.
Quality? Unquestionably.
Refined? But of course, Monsieur!

IT’S NOT BRAIN SALAD SURGERY
There are no posted signs to indicate Ferraro’s combines professionalism, quality and refinement. People just know. Enjoy a meal at Ferroro’s and there’s no mistaking the impression that you’ve reached a position near the top of the culinary dining experience.

This is not a put-down of fast-food restaurants. Quite the opposite, because, you see…even Jack In the Box understands that to be successful in the marketplace, their working-class product must nonetheless be portrayed in popular media with professionalism, quality, and refinement.

Make no mistake, the voice behind that silly guy with the white cone-head was chosen through a talent agency audition process that weeded out the un-professional, poor quality candidates with little refinement of their craft.

SPARE ME!
Puh-leez!….how many cheesy late-night, local TV ads have you suffered through, where the spokesman is likely the company’s owner, president, or maybe the secretary. There’s no mistaking the impression that you’ve reached a position near the bottom of the advertising experience. People just know. The unprofessionalism, lack of quality, and absence of refinement portrays no product you would ever buy, visit, consider for purchase, or otherwise patronize.

Viewers, listeners, buyers, and consumers can smell the odor of “cheap” a mile away. It’s a turn-off. No – more than that, it engenders an internal promise never to participate in THAT product.

PUT YOUR VOICE WHERE YOUR MONEY IS
Savvy company owners, presidents, managers, and ad agency executives choose a quality, professional, refined portrayal of their product/service with fancy graphics, good copywriting, enduring images, and the delivery — either on camera, or through voice-over — of a talented, experienced actor.

A voice-actor can bring the worst copy to life….can elicit emotion from the most colorless pictures…and can do it all in 30 seconds. There’s no mistaking the impression that you’ve reached a position near the top of the advertising spectrum. People just know.

Like a fine chef, a true voice actor takes pride in his/her work…achieves professionalism by working their way up the ranks…exudes quality through years of practice and training… and proves again and again a sense of refinement from experience. Most have found success in voiceovers by means of a tough evolutionary process known as survival-of-the-hardest working and most talented.

You could pay a lot less, and grab Clancy, the clean-up guy to be the voice of “Jack” the cone-head. Clancy may be able to mop floors, but it actually takes a professional, quality actor to produce a refined sound as sarcastically silly and convincing as the brand spokesman for Jack In the Box.

People just know.

 

Synthetic Voice: Revolutionary or Repugnant?

C3POThere’s been a lot of traffic recently on a forum populated by AudioBook readers, bantering about issue of computer-generated voices.

That topic is traditionally disdained by a group so dedicated to the finer nuances of a good read. These are serious audio-book listeners who celebrate the various human narrators, and the interpretation each one brings to a narrative.

But something new and improved has surfaced, and it’s making some converts even among this hard-core group of those favoring the real human voice.

So listen to the samples at LOQUENDO and then I’ll finish up below.  It’s an international site, so you have to scroll down to hear the US/English samples.

——————————

So….whadya think?  I agree, it’s the best computer generated voice I’ve ever heard.

Much of the give ‘n’ take on this forum moved into the realm of where the artistry is in this sort of software solution…and how would the audiobook publisher business model change.  Beyond that, the discussion also addressed who has rights, and what is the revenue stream.  Can a programmer replace a narrator?  How labor-intensive and artistry-intensive is that?

This hard-core group of audiobook aficionados, agrees this is the best “fake” voice they’ve heard, but also agree it’s not there…yet.

Which, of course prompts the question: “When?”.

Text-to-Speech and voice recognition programs (eg. Dragon Naturally Speaking) have always been reliant on complex formulas or algorithms that incorporate the finer points of artificial intelligence.  They’ve steadily gotten better with each new jump in computer speed and function.

It’s likely that we’re not far from a computer-generated voice accomplished enough to satisfy a sector of buyers who aren’t as discerning as the audiobook group mentioned above.

So now, I’ll state the question that has already likely bubbled-up in your own mind:  “Is this likely to hurt yet another sector of jobs/clients now available to us as voice-actors?”

Your thoughts?

CourVO

Hodgman on Emmys

hodgman_1   The guy making the quips and obtuse voiceover remarks at the Emmys Sunday night was American voice-over artist, author, actor and humorist John Hodgman.

  He was twittering from the booth, too.  Here’s his Twitter profile:  http://www.twitter.com/hodgman.

   You’d immediately recognize him as the PC-guy in the PC vs. Mac commercials of recent months, and as a correspondent on Jon Stewart’s Daily Show.  Oddly enough, he had nothing to say as Jon came to the stage to accept HIS emmy.

The more traditional Voice-acting duties of announcing during the show were handled by Hillary Huber.  Hillary is also known for her prowess narrating Audiobooks, and I was lucky enough to study with her during Pat Fraley’s workshop last year at Buzzy’s Studio. 

Excellent job Hillary!

CourVO

Top-10 VoiceOvers by Big Name Stars

This is an article compiled by a gamer site, so there’s that caveat… and be ready for the fact that most of the voices are British…but this is still a fun read.

Click HERE.

CourVO

SIGjpg2bigger

Access + Process = Success

mental blockMental roadblocks are the enemy of  many a gifted and talented voice-actor.

The mental roadblocks (can be procrastination) we subconsciously and oftentimes innocently create can become true hindrances for freelance self-starters.  Sometimes it takes a friend or colleague to help you see through it, and once in a while, in a moment of brilliant clarity, you can see it yourself.

If not, you may benefit from a little formula I’ve devised.

Access + Process = Success

Let me break it down for you:

ACCESS:
The audio files we produce rely on a fairly complicated software/hardware interface associated with a deadline-oriented process.  If even the slightest glitch or hitch interferes with you walking into your studio, turning on your audio chain, and beginning the recording; you have slowed your ACCESS, and over time, the glitch grows into a ginormous mental block, preventing, instead of facilitating your next audition.

You need easy access to your VO tools.

Example:  My pre-amp came with no on/off switch.  I had to reach around behind my monitor, find the plug, feel for the receptacle, and insert the plug.  It was a hassle.  Over time, I began to resent that, then used it as an excuse to just NOT do what I really needed to do.  Once I realized that stupid little ritual was my major mental roadblock to conducting hassle-free auditions, I went to Home Depot, bought an in-line switch, and solved the problem.  Click/Click…on/off.  No hassle.

Maybe for you it’s something that interferes with quickly printing out scripts or an extra troublesome step or two that gets in the way of you launching your recording software. Eliminate the roadblock.  The devil’s in the details.

See an audition you need to get out?  Within one minute of your computer coming on, you should be able to start recording.  Wouldn’t that be nice?

It is.
(granted: you may not have the tube warm-up to optimize your pre-amp performance in that time -  see process below).

But ACCESS would be nothing without PROCESS.

PROCESS:

1. a systematic series of actions directed to some end.
2. a continuous action, operation, or series of changes taking place in a definite manner:

Synonym: a procedure; to handle or manage

In other words, once the access is there, you have to have a PLAN to use it.

THIS is particularly tough for us right-brain, set-our-own-schedule, creative talent-types.  Sure you need to be an ACTOR to do your work, but the business side of your operation must be practical, and that means having a plan…a schedule…a calendar…a PROCESS.

I’m a night-owl.  When I get home after midnight, I like crawling into my comfortable studio and record away — especially on the more moribund E-learning and technical narration jobs.  That’s part of my process…my plan to tackle work.

But I’m finding a good many bursts of audition requests (from whatever source) tend to come during typical business hours.  Since I’m hindered by my TV job’s hours from just reacting as I want to those requests, I’ve put into my process, about two hours of every morning — when my voice is a little rested — to plow through auditions, especially those that require a bit more creativity and acting.

Here’s the thing about process —–> devise the plan, then stick to it like a postage stamp, cause this is something you can’t mail in!  That takes discipline and will power…not something I can explain, but something you have to find on your own.

More about removing mental roadblocks:

http://www.fluentself.com/blog/newsletter/dissolve-that-mental-roadblock/
http://www.scotthyoung.com/blog/2006/11/29/now-or-never/

http://bit.ly/GTouT

‘Hope this helps in some small way!

CourVO

1. a systematic series of actions directed to some end: to devise a process for homogenizing milk.
2. a continuous action, operation, or series of changes taking place in a definite manner:

Fraley: Improv for Voice Actors

improvHere’s a blip.tv clip from Voices.com with my favorite voice-actor — Pat Fraley — expostulating on improvisation.

‘Well worth the short time it takes to listen.

CLICK.

CourVO

ADR

Movie ReelsAutomated Dialog Replacement (ADR) is said to be some very lucrative voiceover work if you can get it.

Now “getting it” comes much closer with a workshop being arranged by…who else…master voice talent Pat Fraley.

Click HERE to see the details of a training event with an amazing line-up of people just ready to train you in ADR, then hire you in ADR.

CourVO