Free Pat Fraley

No, this has nothing to do with a subsersive movement to get Pat Fraley out of an unjust prison sentence.

Free Pat Fraley means this voice-actor and voice-coach extraordinarie is once again offering some great tips for no cost.  Just because….he’s Pat Fraley. 

Here’s what he told me:
————————————–
Here’s
a link to a free lesson I recorded yesterday. It’s about 6-7 minutes
long. It’s covers some "Shameless Tricks" for voice over for
performance and slating. I’m almost embarrassed. Almost.

http://patfraley.com/FreeLessons/ShamlessTrks.mp3
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Check it out…. you’ll be glad you took the few minutes to do so.

CourVO
 

More about August’s VOICE Headliners

The organizers of VOICE have mostly finalized their session schedule now.  Click HERE to see.

Also, the following updates to the profiles of some of the presenters:

               

               

Randy Thomas – Women in Voiceover 

                   

J&P Presenting

Randy Thomas is one of the most recognized
            female voices in America. She has the distinguished honor as the
            first woman to announce the biggest and most prestigious
            award show in the world not once but a record breaking SEVEN times including her return in 2008 for the
            80th  Annual Academy
            Awards
®

            

Randy can be
            heard daily on Entertainment Tonight and The Insider
            television shows from CBS-Paramount Television.

Randy recently completed her
            first book,
VOICE FOR HIRE (How to Launch and Maintain A
            Lucrative Voice-Over Career).
She collaborated with New York
            Voice Talent and Top Voice-Over, Coach Peter Rofe.

Learn more about this very successful Woman in Voiceover at www.randythomasvo.com

                   

 

               
                   

               

 

               
                   

               

               

 

Nancy Wolfson
-Braintracks Branding Exclusive

                   

 

Nancy Wolfson
Nancy Wolfson, owner of Braintracksaudio, is the hottest Top
Market Voice Over & Branding Coach, Demo Producer, and e-Casting Director
on the local, global, and cyber scene today. 

Considered the "Go To" advisor for consulting VO talent on
their  Branding, Nancy’s brand concepts
won her clients "BEST BRANDING" Voicey Awards two years in a row. (In 2008, all
five of the  five nominees were
Braintracks Audio graduates.)

Nancy is the only coach out there offering the inside advice available from the
agent’s perspective. Now, through her
powerful network of VO connections in corporate enterprise, talent agencies in
LA, NYC, Canada and around the world, Nancy casts talent daily.

Recent & ongoing clients include: Playboy, VH-1, Muzak, the
NHL, Nickelodeon, Clear Channel Communications, and this spring, two Animated
Series for The Cartoon Network.
 

Nancy can be reached at www.braintracksaudio.com.

               
                   

               

 

               
                   
 

Raleigh Pinskey
- Your 8-Second Message

 

Raleigh Pinskey
Raleigh Pinskey
is CEO of Raleigh
Communications, a division of The Raleigh Group, a Visibility Marketing,
Branding and PR Company. She has
close to thirty years of helping people, places, themselves and their products to maximize their
biz-ability with viz-ability®.

Her publicity client history
includes Sting, KISS, Paul McCartney and Blondie, Chicken Soup for the Soul,
the original Singing Telegrams, the $5000 Marilyn Monroe Doll, hundreds of
small businesses, and The Bronx Zoo’s a Great Snake named Jake, just to name a few.

Raleigh is the author of the international best-selling book, 101 Ways to Promote Yourself: Tricks of the Trade for Taking Charge of Yourself,
with 150,000 copies in print, in several languages and available in
nine countries. Raleigh is the author of eight books and 48 information
products designed to help you succeed in business and in life.

Visit this energetic, fun and talented lady’s website at www.promoteyourself.com

 

The Name of the Game is Trust

Before I get to the main content for this blog on ‘trust’….I wanna follow-up on my previous post, and show you this pic of me on the beach today near San Diego. (click pic for enlarged view)

Now, I realize for those of you who live on or near one of the many coast-communities in our country, this is no big deal.  But I live in Las Vegas, where water is more precious than a Wayne Newton autograph… and seeing this much water in one place is like… well it’s like nothing I can conjure up in a cute analogy…it’s just awesome.  Those two little specks in the background (off my right-hand fingertips) are my daughter and her team-mate frolicking in the surf.

OK….now back to what I "teased" in yesterday’s blog.

I’m drilling through the book "GET CLIENTS NOW" by C.J. Hayden.  You can find a link to it on the left sidebar of this blog.

This is not the first marketing/sales/promotions/management/consulting self-help book I’ve cracked.  I rarely finish them…they all just start sounding like they’re written by the same cheerleader.  This one is kinda different…so maybe, just maybe, I’ll actually get some "news I can use" from this book.

One of the things I like about the book is that it uses quotes from other successful authors of this genre.

I REALLY identified with this short pull-quote on page 18 by Kim Brooks, Marketing consultant and writer.
—————————
   "If I could write one golden rule of advertising, it would be:  consumers hate advertising.  I believe that the internet has finally brought advertising cynicism to a head.
   Consumers are simply tired of all the noise being thrown at them.  On buses, billboards, coffee cups, grocery carts, every single page of content on every single website, every page of the newspaper, every 10 minutes on TV…there are ads.  Consumers have adjusted to this constant barrage: they tune out.  But worse than that, they resent it, they distrust it, and they don’t buy from it.

  Consumers hate advertising but, luckily, love their friends.  You can pummel your Web users with ad after ad with no results.  But a single mention of your site from a friend, and he or she will click over faster than you can say ‘go’.  With cynicism at an all-time high, an overwhelming number of sites, and the endless barrages of banners, users filter out all but the most trusted, most reliable information.  They will listen to their friends’ recommendations, open their friends’ e-mails first, and take their friends’ advice over the most cleverly phrased ad message.
   Marketing has now become a trust game.  Consumers will listen to sources that they trust, because these are entities that won’t yell at them, click them, or spin them; they will simply pass on relevant, accurate information.
—————————————-

Actually, I DO have some friends that "spin" me…but I still listen to them, and don’t count it against our friendship. 

My guess is, Kim Brooks’ message is behind the many business social-networking sites (LinkedIn comes to mind) that attempt to find and develop business friends that you may rely on to receive or send referrals.

I’ll also admit this blog is a subtle attempt to explain who Dave C is, and thereby gain your trust. 

But why not?  Brooks is right.  Sometimes friends — people with whom we have a trust relationship — are all that we have left to rely on for the straight poop.  If, through social networking, blogging, and "virtual relationship building" on the internet, you come to know someone better, then the trust you glean is, indeed, of value.

Sharing a blog and any small part of me you can relate to, only comes back to me in spades through your friendship and trust.

I was on a beach today.  ‘Can’t begin to describe to you how wonderful it was to smell the salt…feel the breeze blowing in from Japan, and watch my daughter — whom I love more than life itself — cavorting on the shore.

CourVO

‘Love the Beach!….

…and in less than 18 hours, I’ll be on one. 

Preparing for that 6-hour drive to San Diego Friday, meant that today — Thurs — was pretty well taken up with last minute preps, so no blog that says a whole lot until I can get sequestered in my Hampton Inn room Friday night. 

FOUR DAY WEEKEND!  San Diego!  Yay!

My 16-yr-old daughter is under strong consideration by several Division I Universities for a soccer scholarship.  She’s a HS Sophomore.  That blows me away.  But these weekend "College Showcase"  tournaments are huge right now.  So…off to San Diego.  Next week, Temecula, CA.  It never ends.  I love watching her play, though, and it’s nice break from the routine.

I’ve got my trusty Zoom H4 portable recorder, and my HP Laptop with Adobe Audition 3.0 just in case, but I’m secretly hoping nothing comes up under deadline this weekend.

My next blog will be a good’n, though.  Some great thoughts I ran across about how TRUST and personal referrals are worth more than $1,000,000 in advertising.

CourVO

Aishah Jeffries-El on VoiceOverExtra

John Florian does his usual good job with an article on Aishah Jeffries-El (is that the strangest hyphenated name you’ve ever seen?) on his website: VoiceOverExtra.  Also, In the article — her description of an interview she did with actor and voice-actor Rodney Saulsberry — a great guy, and a friend to voice-actors everywhere.

I haven’t mentioned John or his website on this blog for a while, and that’s an oversight.  It’s certainly one of my regular visits on the internet each week, and he’s taken a wonderful idea, matched it with great passion, and been persistently consistent. 

Waytago John!

CourVO

Lengthy Review of VOICE

Reading a year-old looooong thread about the original VOICE conference on the VO-BB, I was referred to THIS early evaluation of the upcoming VOICE conference in August by Todd Schick (Thanks for the referral Connie Terwilliger). Todd pretty much tells it like it is, so hang on to your hats, and like Connie says:  "…grab a cup of coffee," ’cause this is a verbose critique.

CourVO

5 Steps to Recording Remote Vocals

EQ Magazine continues to be a great source of ideas.  It seems to be mostly aimed at production houses, garage band junkies, audio-tech people, and sophisticated audiophiles too… but I find a lot of great ads for mics and sound equipment, as well as editing suggestions for various DAW sound-editing programs that most voice-actors use.

The following is ripped right off the pages of the latest issue.  I even borrowed the title above from the article, written by Cliff Goldmacher who says as an intro:

"…Sure, you can load your DAW software onto a laptop, grab a mic and a few cables, and take your show on the road.  However, even the best gear takes a back seat to ingenuity and good engineering sense.  As a veteran of many a remote-recording session, here are some tips I’ve learned regarding the acoustic space, mic selection, the signal path, and monitoring."

#1 – Preparation
Preparation means checking out the space before the session.  For example, you may find that certain times of the day are more conducive to recording than others.  (this step also had suggestions for preparing instrument tracks before taking your laptop on the road to add the singer’s voice — told you EQ was mostly aimed at musicians….but read on)

#2 The  Acoustic Space

Believe it or not, closets make great vocal booths.  The more clothes, shoes, pillows, blankets, and towels in there, the better!  If the space is still too live, drape a few blankets from ceiling to floor.  It’s crucial that the artist not face a hard, flat surface.  Avoid creating reflections that the mic will pick up.  Also, deaden the ceiling directly above the singer.  a blanket and a few thumbtacks can be highly effective.  You need enough room to fit the voice-actor, a mic stand, and possibly a music stand.  Ideally, you’ll be able to run a mic cable and headphone extension cord under the closet door, and set up your recording gear right outside.

#3  Choosing a mic
You’ll want a mic that minimizes any unevenness in the recording environment.  I’ve had very good luck with the Shure SM7.  Originally designed as a broadcast mic, the SM7 also allows the voice-artist to gt right up on the pop screen while still delivering a clean, warm vocal sound.  You’ll want this proximity for the same reason you deadened the space — to minimize any stray room sound in the recording.  Condenser mics are tricky because they can sometimes be too sensitive.  However, a great compromise is a condenser mic designed for both live and studio applications.  For example, because the Shure KSM9 was engineered for noisy, live situations, it does an excellent job of avoiding almost all off-axis reflections, while deliering a clear, detained vocal recording.

#4  Signal Path
If you want to compress the vocal signal on its way into your DAW, here’s a software workaround so you can leave the hardware at home.  Bring the vocal signal into an auxiliary track with a compression plug-in.  Set the attack and release to medium, the ration at about 3:1, and then adjust the threshold to tak around 3dB off of the hottest signal on the way in.  Then bus this track to an audio track that captures the compressed audio.

#5  Monitoring
Portability is key, so bring in-ear monitors instead of bulky headphones.  While not inexpensive, a good set of in-ear monitors provides accurate, detailed audio information, and blocks out distracting external sounds.  Unlike most over-the-ear headphones, in-ear monitors virtually eliminate headphone bleed, as well.  As most portable audio interfaces offer only one headphone jack, you’ll probably need a headphone splitter (with separate volume controls for each set of phones) to send the signal to your voice-actor and you.

BRING IT HOME
My favorite expression about recorded data is "If it doesn’t exist in two places, it doesn’t exist."  Before leaving, burn a DVD, or copy your audio to the client’s hard drive as a backup.  Who knows what can happen to a laptop on the way back to your studio?

—————————————-

CourVO

Eye-Fi

OK, I know this is pathetic (the picture anyway), but can I share with you a veeeery cool gizmo?

It’s the Eye-Fi Wireless SD card.

It looks like a regular 2GB memory card like you’d put in your camera…but it automatically connects to your computer, or Photobucket, or TypePad, FaceBook, SnapFish or about 20 other online photo services through your home wi-fi network. 

I mean, you take the picture, and alla sudden the pic appears on your computer and/or your online photo service.

Now, I realize this is the ultimate in lazy…but just think — no more card readers, no more messing with handling fragile memory cards, or USB cables, no more downloading pics through Windows Explorer…take the picture, and instantaneously, it’s available on your hard drive.  Cool!

I took this pic around 2am, immediately found it on my photobucket site, chose to "share" it to TypePad (my blogging service), and bingo…there it is (‘told you it was pathetic).

PhotobucketThe Eye-Fi SD card is widely available on the net.  Mostly it’s quoted for $99….but CostCo Online has it for $89…and a friend told me he saw it on WOOT for that price yesterday.

‘Not sure how this applies to voice-acting YET….but I’ll find a way. 

Next up…seeing if the Eye-Fi card will similarly do an automatic upload of my sound files from the Zoom H4, portable professional voice recorder, which uses a 2GB SD card.

Now, THAT would be cool….veeeery cool!

CourVO

Apologies All Around

If you are reading this, you have honored me by visiting my blog, and for that I’m grateful. 

Some of you have even bothered to offer a comment once in a while…for that I’m even larger in your debt.

How have I repaid you?…by ignoring your comments…leaving them unapproved for viewing for several days!

Unforgivable!  Insufferable! 

I have excuses, but they don’t amount to much.  If I had the time to post a blog article every day this last week (days filled with flu, a house-guest, and a college student home for Spring break), then certainly, I should’ve had the time to see your comments waiting there for a quick check-off by me.

My apologies. It won’t happen again.  I hereby promise to check all comments every day, several times a day.

I will say that the comment-approval utility of the TypePad control panel is probably the most disappointing feature of an otherwise superbly-designed blogging software packakge.

Several visitors here are following my evaluation of the M600 mic-mount which immediately follows this entry…but I just wanted to get this off my chest.

Thanks for being here!

Dave Courvoisier
(aka CourVO)

M600 & Sennheiser MKH416

Did I mention the other day that I got a long-distance phone call from Dublin?  That’s in Ireland.  The caller was David Browne, who is the developer of the M600 microphone mount (NOT a shock-mount, he’s quick to point out).

At any rate, I was very impressed that he’d take the personal time to give me a jingle and talk about his favorite subject these days: the superbly machined M600 mic mount.  Click HERE for my most recent post on this piece of hardware.  There are even more back-links in THAT blog about where this whole story originated (like many things in my world — on the VO-BB)

I had posted a two short sound-files using my less-expensive workhorse mic (the AKG C3000B) with it’s standard shock-mount… and then the new M600.

On David’s urging, I promised to go back and use the M600 with my Sennheiser MKH416 P48.  David was willing to concede that "your mileage may vary" using his uniquely-designed mount, but that the MKH might show a more decided difference in sound quality vs. the — can we call it cheap? — plastic mic-mount that comes packaged with the Senny.

I was busy with a medical narration this weekend.  I used the M600 for the entire job, then chose one line from the copy to also record using the plastic mount that comes with the MKH.  Here are the comparison soundfiles in .wav format.

FIRST, THE MKH USING THE PLASTIC MOUNT

NOW, THE MKH USING THE M600 MOUNT

Are the clips too short to tell anything?  I can’t really hear a difference…but like I said before, I’m not a production/audio engineer.  Maybe someone monitoring this thread can pull my soundfile up for a better analysis than I can give.

There are admittedly impossible-to-control variables in a comparison like this.  But aside from head/mouth positioning issues (which I tried to minimize), the main variable that changed was the mic mount itself.  All other settings were identical.

Here’s the deal folks — I’m gonna hafta buy one of these things.  Maybe it’s the placebo effect, or the self-fulfilling prophecy that I "feel" better about the sound coming from the M600-mounted mic, because I expect it to sound better (due in no small part, I’ll wager, to the elite cost of the product).  Regardless, if I subjectively "feel" better about the stuff I’m working with in my own studio, I believe my confidence will also shine through in ethereal ways that are beyond scientific explanation.

My take is that the M600 will make a significant difference in the quality of sound on enough of my projects to justify it’s purchase in the long run.

At least that’s what I’m telling my wife.

Now, I really need to package this thing up and take it back to the nice folks at LasVegasProAudio.  Maybe they’ll let me keep this evaluation model at a few dollars in savings ’cause it’s got a mark or two on it.  LasVegasProAudio is quoting $225 USD for the M600.

CourVO